![]() ![]() Objects should be plausibly close in contrast. I took a cue from the overall blue cast of the mountains and made sure everything else in the picture had a slight blue or blue-green cast to it, rather than an overpowering warm look. The colors should match in hue and degree of saturation. I took some liberties with the mountain picture, in which the illumination is coming from the upper-left corner, instead, because the mountains looked better lit that way, and we tend not to notice lighting discrepancies for objects located that far in the distance. In the finished composite, the "sun" is high in the sky, just above the upper-right corner of the picture, so most of the shadows are cast towards us. In general, all the illumination must appear to come from the same general area. In this exercise, you'll learn all the different things that must "match" for a composite image to look realistic. ![]() The mountains look nice, but we can add some new elements to the image. The plain blue sky is a little bland, too. Unfortunately, the castle is too far away to show up well, and the cluttered foreground includes an automobile tire retailer, some electrical poles, and a group of non-medieval homes and other structures. The major center of interest was supposed to be the medieval castle perched at the top of the darker green mountain in the middle of the photo. We'll start with the photo shown in Figure 5.32, and end up with one that looks like Figure 5.41 (it's okay to peek ahead). Instead, I'll explain in general terms what needs to be done, focusing on any new or difficult tasks. You'll be using various skills that already have been exercised in previous projects, so I won't provide detailed step-by-step instructions for everything. We'll use a stack of photos, each with various defects, and combine them into one over-the-top composite. We're going to create a fantasy landscape similar to the one in Figure 5.2, only better. By now you should be ready to tackle a major project. ![]()
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